sola sound mk I Tone bender by david main
When we made the decision to make MKI Tone Benders again after 52 years we decided they had to be the best - so we worked with four MKI magicians - these ones were made by David Main ant D.A.M.
words by David Main
The 'System' MKI, or the competition #2. My own handy work is a recreation of Anthony Macari's very own vintage MKI, the name system is scratched into the side of the pedal, apparently the previous owners band name. This particular pedal was actually one of the six prize's of the previously mentioned Beat Instrumental MKI competition. No vintage MKI is alike, the proof is in the pudding, this is a strange pudding. I've done nothing more here than replication. I haven't added my own this or that into the mix. Basically let's pretend my name is Mr. Hurst and it's 1965. The bias set-up is particularly odd in that what would or should be one's maximum setting is at around 12 to 1 o' clock. After than the pedal becomes over biased. The fuzz tone compresses hugely and what is presented is an almost velcro fuzz noise gate type effect. I have observed similar effects in vintage MKI's before but this is much more pronounced on this particular unit.
As with the Castledine the assembly is authentically old school. I replicated the tones within, I've replicated the construction style within. Point A goes to point B, and so forth. The component selection was made as an attempt to replicate the size and style of parts used in Anthony's original, not exact, that would be a difficult feet to say the least on 50 pieces, but close enough that it's still pleasing to the eye. The transistor line-up includes a single black glass OC75 and either 2 x 2G374 or 1 x 2G309 and then a single 2G374. Like I say sonic replication is the name of the game. If the numbers roll right in it goes.
music by Philip - pinstripedclips - If you love fuzz and you haven't subscribed to his YouTube channel - just do it now
This is a project that started in 2014. It has come to it’s fruition three years later. We knew if we were going to make Mk I Tone Benders again after nearly 53 years they had to be special. More than special in fact, they had to be in a different World to the clones and copies already on the market. So we started from the ground up .
After looking at our options for making the case we decided upon a new workshop we’d never used before. The guy was old school, he understood the technology used when the original cases were made, he still had the same machinery, he understood the metal and the way it was bent, he also supported Arsenal.
I took my original 65 MK I down to him and we dissected it . He made probably the most detailed drawings ever made of a Mk I case and we re-made it.
Some people would have had feet stuck on or just used an off-the-shelf punch to make the little domed indentations for the feet. No, we had a special tool made so they were perfect replicas of my original unit.
Then came the painting. We must have sprayed and painted 200 squares of metal gold before we realised that it was close but not perfect. To obtain the finish we have on these pedals, each coat has to be applied . . . well it’s a bit of a secret. Let’s just say the man that did it normally paints custom decals onto motorbikes – he’s an artist.
Getting the logos right was easy, as we have a friend called JV who just won’t let us make a mistake – its as if his purpose in life to make sure Sola Sound products are perfect graphically. We owe him a huge thank you.
We then approached four of the finest and experienced boutique builders in the UK to make the pedals. Each with their own take on the circuit. It has been a total pleasure working with them all and I hope the feelings mutual.
Part selection was down to the makers – our only instructions were to not cut any corners – this must be the best possible pedal.
Each MK I has an internal hologram with a non-repeatable number . Hopefully this will keep any fakes from popping up – there’s a little card in each box with the hologram number and serial number of each pedal. Steve and I have signed them – you can always throw them out if you don’t like them – ha !
Lastly, they’re in a velvet bag. You might think I’m daft going on about a bag but its a special bag . Again, not an off the shelf bag. My cousin Rosita who actually applied the logos to the original pedals in 1965 is a seamstress and made them for us – a nice little touch bringing the project full circle.
Even the cardboard box we put it in has been custom ordered.
Then Philip did the video clips – we are lucky people!
You know, sometimes I think we’re a bit crazy!!!
Thanks a million to everyone involved in this project.
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